Showing 61–72 of 124 results
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Free
MAIN COLORS
Background: White; Green
Line: Red
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In this pattern, Studio Lievito recalls the natural flaming that characterizes wood surfaces. The house is on fire.
Studio Lievito designs wallpaper lines for MaVoix that are the result of an investigation aimed at revealing and attributing new identities to the materials that habitually furnish and cover our homes. The Surfaces are thus enriched with new connotations from other worlds, generated by novel graphic and digital blends.
Illusion is the key ingredient that binds Studio Lievito’s DNA to MaVoix. An intimate “voice” that invites a continuous and ever-new exploration of reality. -
Free
MAIN COLORS
Background: Purple
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In this pattern, Studio Lievito recalls the natural flaming that characterizes wood surfaces. The house is on fire.
Studio Lievito designs wallpaper lines for MaVoix that are the result of an investigation aimed at revealing and attributing new identities to the materials that habitually furnish and cover our homes. The Surfaces are thus enriched with new connotations from other worlds, generated by novel graphic and digital blends.
Illusion is the key ingredient that binds Studio Lievito’s DNA to MaVoix. An intimate “voice” that invites a continuous and ever-new exploration of reality. -
Free
MAIN COLORS
Background: Cream
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Magnus Gjoen’s Whispers of the Forgotten Past, created in collaboration with Mavoix, is a striking fusion of historical depth and contemporary abstraction. A backdrop reminiscent of Piranesi’s Roman ruins emerges through a refined maxi-outline camouflage—transformed into subtle fragments that open fleeting glimpses into antiquity. Ingeniously reimagined, the camouflage pattern dissolves into the tonal landscape, evoking a quiet, melancholic beauty where faded grandeur meets modern expression.
“This design is about revealing and concealing—how history lingers beneath the surface, waiting to be rediscovered,”
— Magnus Gjoen -
Free
MAIN COLORS
Background: Cream
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Magnus Gjoen’s latest wallpaper, ‘Storm of Stones and Shadows’, created in collaboration with Mavoix, masterfully blends classical grandeur with contemporary edge. Featuring Piranesi-esque Roman ruins set against a multicolored yet tonal Ikat pattern, the design is both timeless and unexpected. In true Gjoen fashion, a subtle hint of camouflage weaves through the composition, adding a layer of intrigue to this striking juxtaposition of history and modernity.
‘I wanted to create something that feels both ancient and modern, where the past dissolves into the present in an almost dreamlike way’, says Gjoen.
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Free
MAIN COLORS
Background: Green
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Magnus Gjoen’s Whispers of the Forgotten Past, created in collaboration with Mavoix, is a striking fusion of historical depth and contemporary abstraction. A backdrop reminiscent of Piranesi’s Roman ruins emerges through a refined maxi-outline camouflage—transformed into subtle fragments that open fleeting glimpses into antiquity. Ingeniously reimagined, the camouflage pattern dissolves into the tonal landscape, evoking a quiet, melancholic beauty where faded grandeur meets modern expression.
“This design is about revealing and concealing—how history lingers beneath the surface, waiting to be rediscovered,”
— Magnus Gjoen -
€49.00 iva esclusa
The glitch phenomenon shows us the limits of technology. However, where the machine sees an error, we find an opportunity to create new forms of art. The fascination of error and the unexpected result of a Photoshop malfunction during the layout of the Alchemici paper.
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Free
MAIN COLORS
Background: Black
Subjects: Red, Yellow, Black
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As a result of the continuous aesthetic and sense-based research that MaVoix constantly carries out, we here find the Fontana Wallpaper.
This design is freely inspired by the engraved rock crystal jug from the legacy of Caterina de ‘Medici. It was later inherited by her niece Cristina di Lorena in 1589 and has since been described in the inventories of the Uffizi and is conserved in Palazzo Pitti together with the collections of Ludovica de ‘Medici. -
€49.00 iva esclusa
The glitch phenomenon shows us the limits of technology. However, where the machine sees an error, we find an opportunity to create new forms of art. The fascination of error and the unexpected result of a Photoshop malfunction during the layout of the paper Via Salvestrina, 12 blue + distortion filter.
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€58.00 iva esclusa
The works belonging to the Morphing category were created through the reworking of the images derived from the keywords’ web-search (in this case “clouds”) and from the linked images resulting from following the google suggestions relating to the initial word (such as Antarctica and clouds etc.). This “encyclopedia of images” and its alteration creates a divergent imaginary of the initial word making it unrecognizable and fluid, concretizing landscapes by overlapping layers in Photoshop. All intertwined with the presence of the birds of our wallpaper Via Salvestrina, 12.
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Free
MAIN COLORS
Background: Dark Blue, Dark Green
Subjects: Beige Onyx
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Here a myriad of hands interweave, giving life to a perpetual motion, which shapes a visionary world. Forms and colors play tricks on the eyes. The infinite metamorphosis is a constant surprise.
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€58.00 iva esclusa
The works in the Morphing category were created through the reworking of the images derived from the keywords’ web-search (in this case “Jellyfish”) and from the concatenated images resulting from following the google suggestions inherent to the initial word (such as glowing Jellyfish- > jellyfish or plastic bag?). This “encyclopedia of images” and its alteration creates a divergent imaginary of the initial word making it unrecognizable and fluid, concretizing landscapes by overlapping layers in Photoshop.
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Free
MAIN COLORS
Background: Warm Light Grey
Subjects: Hazel Brown
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As a result of the continuous aesthetic and sense-based research that MaVoix constantly carries out, we here find the Fontana Wallpaper.
This design is freely inspired by the engraved rock crystal jug from the legacy of Caterina de ‘Medici. It was later inherited by her niece Cristina di Lorena in 1589 and has since been described in the inventories of the Uffizi and is conserved in Palazzo Pitti together with the collections of Ludovica de ‘Medici.
