As a result of the continuous aesthetic and sense-based research that MaVoix constantly carries out, we here find the Fontana Wallpaper.
This design is freely inspired by the engraved rock crystal jug from the legacy of Caterina de ‘Medici. It was later inherited by her niece Cristina di Lorena in 1589 and has since been described in the inventories of the Uffizi and is conserved in Palazzo Pitti together with the collections of Ludovica de ‘Medici.
The works of the Morphing category are created through the reworking of the images derived from the search on the web of keywords (in this case “heart”) and from the chained images that arose in chase the suggestions of Google inherent in the initial word (as a human heart- > Anatomical model etc.). This “encyclopedia of images” and its alteration creates a divergent imaginary of the initial word making it unrecognizable and fluid, concretizing landscapes by overlapping layers in Photoshop.
Here a myriad of hands interweave, giving life to a perpetual motion, which shapes a visionary world. Forms and colors play tricks on the eyes. The infinite metamorphosis is a constant surprise.
As a result of the continuous aesthetic and sense-based research that MaVoix constantly carries out, we here find the Fontana Wallpaper.
This design is freely inspired by the engraved rock crystal jug from the legacy of Caterina de ‘Medici. It was later inherited by her niece Cristina di Lorena in 1589 and has since been described in the inventories of the Uffizi and is conserved in Palazzo Pitti together with the collections of Ludovica de ‘Medici.
As a result of the continuous aesthetic and sense-based research that MaVoix constantly carries out, we here find the Fontana Wallpaper.
This design is freely inspired by the engraved rock crystal jug from the legacy of Caterina de ‘Medici. It was later inherited by her niece Cristina di Lorena in 1589 and has since been described in the inventories of the Uffizi and is conserved in Palazzo Pitti together with the collections of Ludovica de ‘Medici.
Non natura non morta. The Artworks belonging to the Morphing category were created through the use of images derived from the keywords’ web search (in this case “Non Natura Non Morta) and from the linked images resulting from the google suggestions related to the initial word (such as still life>- flower still life->digital photo) . This “encyclopedia of images” and its alteration creates a divergent imaginary of the initial word making it unrecognizable and fluid, concretizing landscapes by overlapping layers in Photoshop.
As a result of the continuous aesthetic and sense-based research that MaVoix constantly carries out, we here find the Fontana Wallpaper.
This design is freely inspired by the engraved rock crystal jug from the legacy of Caterina de ‘Medici. It was later inherited by her niece Cristina di Lorena in 1589 and has since been described in the inventories of the Uffizi and is conserved in Palazzo Pitti together with the collections of Ludovica de ‘Medici.
Fine and very long stems run along the whole wall, to end up becoming super-light flowers of Lilium Lancifolium, best known as Tiger Lilies.
After a careful look at these flower’s designs, it is possible to catch sight of colors and textures that are part of another reality: the ancient technique named Scagliola, the Art of Moonrock.
Here a myriad of hands interweave, giving life to a perpetual motion, which shapes a visionary world. Forms and colors play tricks on the eyes. The infinite metamorphosis is a constant surprise.
Here a myriad of hands interweave, giving life to a perpetual motion, which shapes a visionary world. Forms and colors play tricks on the eyes. The infinite metamorphosis is a constant surprise.
This wall decoration is freely inspired to her as a woman, but especially to her treasures, her jewels, her style, her courage to be above her time. Thanks to this amazing woman, all Medici collections survived to this day and can prosper in today’s Uffizi galleries and Palatine galleries. If today we can go to Florence and visit one of the oldest and most important art collections in the world, intact and still in its precious context, we owe it to her.
Here a myriad of hands interweave, giving life to a perpetual motion, which shapes a visionary world. Forms and colors play tricks on the eyes. The infinite metamorphosis is a constant surprise.