The glitch phenomenon shows us the limits of technology. However, where the machine sees an error, we find an opportunity to create new forms of art. The fascination of error and the unexpected result of a Photoshop malfunction during the layout of the digital moss green fountain paper turned blue.
Magnus Gjoen creates the ultimate maximalist glamouflage “Hidden in Plain Sight’. This wallpaper is put together by pieces of paintings to give form to a new and bold artwork. Pulling together various inspirations Gjoen realizes a multilayered artwork. The more you look the more you find.
The base of the camouflage depicts the ceiling of Giovanni Battista Tiepolo’s “Nuptial Allegory” at the Ca’ Rezzonico in Venice.
To complete the work, two still lifes from Gjoen’s private collection that intertwine to create an imaginative multifaceted reality.
Magnus Gjoen creates the ultimate maximalist glamouflage “Hidden in Plain Sight’. This wallpaper is put together by pieces of paintings to give form to a new and bold artwork. Pulling together various inspirations Gjoen realizes a multilayered artwork. The more you look the more you find.
The base of the camouflage depicts the ceiling of Giovanni Battista Tiepolo’s “Nuptial Allegory” at the Ca’ Rezzonico in Venice.
To complete the work, two still lifes from Gjoen’s private collection that intertwine to create an imaginative multifaceted reality.
Sinuous watermarks in which to dive in search of an alternative reality. The deceptive nature of the moirè effect invites you to go beyond the simple perception of matter, multiplying the two-dimensionality of the wall.
Sinuous watermarks in which to dive in search of an alternative reality. The deceptive nature of the moirè effect invites you to go beyond the simple perception of matter, multiplying the two-dimensionality of the wall.
This wall decoration is freely inspired to her as a woman, but especially to her treasures, her jewels, her style, her courage to be above her time. Thanks to this amazing woman, all Medici collections survived to this day and can prosper in today’s Uffizi galleries and Palatine galleries. If today we can go to Florence and visit one of the oldest and most important art collections in the world, intact and still in its precious context, we owe it to her.
Through the use of swallows Leonardo Dini moves his creative path towards the discovery of the uniqueness, beauty, and richness in every human life.
Meticulously hand-painted and transferred to Digital Art, Dini’s swallows invite reflection on the Self in relation to the planet and to others.
The flight of these swallows turns into an interweaving of figures that seem to hover in a dance, composing a wallpaper with an almost floral scent in shades of blue on a black background.
Imbued with fascinating mythological meanings, his works are distinguished by a shared allegorical interpretation of the swallow, a symbol of peace and freedom and, more profoundly, representative of a lively sense of life.
Through the use of swallows Leonardo Dini moves his creative path towards the discovery of the uniqueness, beauty, and richness in every human life.
Meticulously hand-painted and transferred to Digital Art, Dini’s swallows invite reflection on the Self in relation to the planet and to others.
The flight of these swallows turns into an interweaving of figures that seem to hover in a dance, composing a wallpaper with an almost floral scent in shades of blue on a black background.
Imbued with fascinating mythological meanings, his works are distinguished by a shared allegorical interpretation of the swallow, a symbol of peace and freedom and, more profoundly, representative of a lively sense of life.
Through the use of swallows Leonardo Dini moves his creative path towards the discovery of the uniqueness, beauty, and richness in every human life.
Meticulously hand-painted and transferred to Digital Art, Dini’s swallows invite reflection on the Self in relation to the planet and to others.
The flight of these swallows turns into an interweaving of figures that seem to hover in a dance, composing a wallpaper with an almost floral scent in shades of blue on a black background.
Imbued with fascinating mythological meanings, his works are distinguished by a shared allegorical interpretation of the swallow, a symbol of peace and freedom and, more profoundly, representative of a lively sense of life.
Inspired by a French translation of Paradise Lost published in 1863; a 12 chapter book with 21 engravings bought at auction by Magnus Gjoen. This artwork uses one of these engravings contrasted by floral camouflage.
Inspired by a French translation of Paradise Lost published in 1863; a 12 chapter book with 21 engravings bought at auction by Magnus Gjoen. This artwork uses one of these engravings contrasted by floral camouflage.
In this work, the artist Antonio Barbieri has tried to apply the aesthetics of three-dimensional shapes in a two-dimensional and strongly rational context. The will is to obtain a decorative rhythm from natural shapes, acquired thanks to 3D scanning. The result is a graphic form linked to the concept of nature but with a strong foray into technology. This artificial nature is inextricably linked to the wall painting tradition which is the foundation of our cultural history.