As a result of the continuous aesthetic and sense-based research that MaVoix constantly carries out, we here find the Fontana Wallpaper.
This design is freely inspired by the engraved rock crystal jug from the legacy of Caterina de ‘Medici. It was later inherited by her niece Cristina di Lorena in 1589 and has since been described in the inventories of the Uffizi and is conserved in Palazzo Pitti together with the collections of Ludovica de ‘Medici.
Here a myriad of hands interweave, giving life to a perpetual motion, which shapes a visionary world. Forms and colors play tricks on the eyes. The infinite metamorphosis is a constant surprise.
As a result of the continuous aesthetic and sense-based research that MaVoix constantly carries out, we here find the Fontana Wallpaper.
This design is freely inspired by the engraved rock crystal jug from the legacy of Caterina de ‘Medici. It was later inherited by her niece Cristina di Lorena in 1589 and has since been described in the inventories of the Uffizi and is conserved in Palazzo Pitti together with the collections of Ludovica de ‘Medici.
Here a myriad of hands interweave, giving life to a perpetual motion, which shapes a visionary world. Forms and colors play tricks on the eyes. The infinite metamorphosis is a constant surprise.
As a result of the continuous aesthetic and sense-based research that MaVoix constantly carries out, we here find the Fontana Wallpaper.
This design is freely inspired by the engraved rock crystal jug from the legacy of Caterina de ‘Medici. It was later inherited by her niece Cristina di Lorena in 1589 and has since been described in the inventories of the Uffizi and is conserved in Palazzo Pitti together with the collections of Ludovica de ‘Medici.
As a result of the continuous aesthetic and sense-based research that MaVoix constantly carries out, we here find the Fontana Wallpaper.
This design is freely inspired by the engraved rock crystal jug from the legacy of Caterina de ‘Medici. It was later inherited by her niece Cristina di Lorena in 1589 and has since been described in the inventories of the Uffizi and is conserved in Palazzo Pitti together with the collections of Ludovica de ‘Medici.
As a result of the continuous aesthetic and sense-based research that MaVoix constantly carries out, we here find the Fontana Wallpaper.
This design is freely inspired by the engraved rock crystal jug from the legacy of Caterina de ‘Medici. It was later inherited by her niece Cristina di Lorena in 1589 and has since been described in the inventories of the Uffizi and is conserved in Palazzo Pitti together with the collections of Ludovica de ‘Medici.
Fine and very long stems run along the whole wall, to end up becoming super-light flowers of Lilium Lancifolium, best known as Tiger Lilies.
After a careful look at these flower’s designs, it is possible to catch sight of colors and textures that are part of another reality: the ancient technique named Scagliola, the Art of Moonrock.
Here a myriad of hands interweave, giving life to a perpetual motion, which shapes a visionary world. Forms and colors play tricks on the eyes. The infinite metamorphosis is a constant surprise.
Here a myriad of hands interweave, giving life to a perpetual motion, which shapes a visionary world. Forms and colors play tricks on the eyes. The infinite metamorphosis is a constant surprise.
This wall decoration is freely inspired to her as a woman, but especially to her treasures, her jewels, her style, her courage to be above her time. Thanks to this amazing woman, all Medici collections survived to this day and can prosper in today’s Uffizi galleries and Palatine galleries. If today we can go to Florence and visit one of the oldest and most important art collections in the world, intact and still in its precious context, we owe it to her.
Here a myriad of hands interweave, giving life to a perpetual motion, which shapes a visionary world. Forms and colors play tricks on the eyes. The infinite metamorphosis is a constant surprise.