Through the use of swallows Leonardo Dini moves his creative path towards the discovery of the uniqueness, beauty, and richness in every human life.
Meticulously hand-painted and transferred to Digital Art, Dini’s swallows invite reflection on the Self in relation to the planet and to others.
The flight of these swallows turns into an interweaving of figures that seem to hover in a dance, composing a wallpaper with an almost floral scent in shades of blue on a black background.
Imbued with fascinating mythological meanings, his works are distinguished by a shared allegorical interpretation of the swallow, a symbol of peace and freedom and, more profoundly, representative of a lively sense of life.
Through the use of swallows Leonardo Dini moves his creative path towards the discovery of the uniqueness, beauty, and richness in every human life.
Meticulously hand-painted and transferred to Digital Art, Dini’s swallows invite reflection on the Self in relation to the planet and to others.
The flight of these swallows turns into an interweaving of figures that seem to hover in a dance, composing a wallpaper with an almost floral scent in shades of blue on a black background.
Imbued with fascinating mythological meanings, his works are distinguished by a shared allegorical interpretation of the swallow, a symbol of peace and freedom and, more profoundly, representative of a lively sense of life.
Through the use of swallows Leonardo Dini moves his creative path towards the discovery of the uniqueness, beauty, and richness in every human life.
Meticulously hand-painted and transferred to Digital Art, Dini’s swallows invite reflection on the Self in relation to the planet and to others.
The flight of these swallows turns into an interweaving of figures that seem to hover in a dance, composing a wallpaper with an almost floral scent in shades of blue on a black background.
Imbued with fascinating mythological meanings, his works are distinguished by a shared allegorical interpretation of the swallow, a symbol of peace and freedom and, more profoundly, representative of a lively sense of life.
Inspired by a French translation of Paradise Lost published in 1863; a 12 chapter book with 21 engravings bought at auction by Magnus Gjoen. This artwork uses one of these engravings contrasted by floral camouflage.
Inspired by a French translation of Paradise Lost published in 1863; a 12 chapter book with 21 engravings bought at auction by Magnus Gjoen. This artwork uses one of these engravings contrasted by floral camouflage.
In this work, the artist Antonio Barbieri has tried to apply the aesthetics of three-dimensional shapes in a two-dimensional and strongly rational context. The will is to obtain a decorative rhythm from natural shapes, acquired thanks to 3D scanning. The result is a graphic form linked to the concept of nature but with a strong foray into technology. This artificial nature is inextricably linked to the wall painting tradition which is the foundation of our cultural history.
In this work, the artist Antonio Barbieri has tried to apply the aesthetics of three-dimensional shapes in a two-dimensional and strongly rational context. The will is to obtain a decorative rhythm from natural shapes, acquired thanks to 3D scanning. The result is a graphic form linked to the concept of nature but with a strong foray into technology. This artificial nature is inextricably linked to the wall painting tradition which is the foundation of our cultural history.
By contrasting barbed wire with the softness of a silk ribbon, Gjoen creates a juxtaposition of two intertwining elements. Love versus hate, good versus evil.
The story of beauty and pain, showing us the infinite entanglement of the two elements. The two creating a new alliance of hope as well as uncertainty.
By contrasting barbed wire with the softness of a silk ribbon, Gjoen creates a juxtaposition of two intertwining elements. Love versus hate, good versus evil.
The story of beauty and pain, showing us the infinite entanglement of the two elements. The two creating a new alliance of hope as well as uncertainty.
In this pattern, Studio Lievito recalls the natural flaming that characterizes wood surfaces. The house is on fire.
Studio Lievito designs wallpaper lines for MaVoix that are the result of an investigation aimed at revealing and attributing new identities to the materials that habitually furnish and cover our homes. The Surfaces are thus enriched with new connotations from other worlds, generated by novel graphic and digital blends.
Illusion is the key ingredient that binds Studio Lievito’s DNA to MaVoix. An intimate “voice” that invites a continuous and ever-new exploration of reality.
In this pattern, Studio Lievito recalls the natural flaming that characterizes wood surfaces. The house is on fire.
Studio Lievito designs wallpaper lines for MaVoix that are the result of an investigation aimed at revealing and attributing new identities to the materials that habitually furnish and cover our homes. The Surfaces are thus enriched with new connotations from other worlds, generated by novel graphic and digital blends.
Illusion is the key ingredient that binds Studio Lievito’s DNA to MaVoix. An intimate “voice” that invites a continuous and ever-new exploration of reality.
In this pattern, Studio Lievito recalls the natural flaming that characterizes wood surfaces. The house is on fire.
Studio Lievito designs wallpaper lines for MaVoix that are the result of an investigation aimed at revealing and attributing new identities to the materials that habitually furnish and cover our homes. The Surfaces are thus enriched with new connotations from other worlds, generated by novel graphic and digital blends.
Illusion is the key ingredient that binds Studio Lievito’s DNA to MaVoix. An intimate “voice” that invites a continuous and ever-new exploration of reality.