In the “Ombre” decorative print, the theme of hands is interpreted according to a graphic style consisting of solid blacks in contrast with brown-laid fabric textures and silhouettes of birds in the background.
The glitch phenomenon shows us the limits of technology. However, where the machine sees an error, we find an opportunity to create new forms of art. The fascination of error and the unexpected result of a Photoshop malfunction during the layout of the digital moss green fountain paper turned to purple and with graphic passepartout.
The glitch phenomenon shows us the limits of technology. However, where the machine sees an error, we find an opportunity to create new forms of art. The fascination of error and the unexpected result of a Photoshop malfunction during the layout of the digital moss green fountain paper turned blue.
The glitch phenomenon shows us the limits of technology. However, where the machine sees an error, we find an opportunity to create new forms of art. The fascination of error and the unexpected result of a Photoshop malfunction during the layout of the Alchemici paper.
The glitch phenomenon shows us the limits of technology. However, where the machine sees an error, we find an opportunity to create new forms of art. The fascination of error and the unexpected result of a Photoshop malfunction during the layout of the paper Via Salvestrina, 12 blue + distortion filter.
The works belonging to the Morphing category were created through the reworking of the images derived from the keywords’ web-search (in this case “clouds”) and from the linked images resulting from following the google suggestions relating to the initial word (such as Antarctica and clouds etc.). This “encyclopedia of images” and its alteration creates a divergent imaginary of the initial word making it unrecognizable and fluid, concretizing landscapes by overlapping layers in Photoshop. All intertwined with the presence of the birds of our wallpaper Via Salvestrina, 12.
The works in the Morphing category were created through the reworking of the images derived from the keywords’ web-search (in this case “Jellyfish”) and from the concatenated images resulting from following the google suggestions inherent to the initial word (such as glowing Jellyfish- > jellyfish or plastic bag?). This “encyclopedia of images” and its alteration creates a divergent imaginary of the initial word making it unrecognizable and fluid, concretizing landscapes by overlapping layers in Photoshop.
The works of the Morphing category are created through the reworking of the images derived from the search on the web of keywords (in this case “heart”) and from the chained images that arose in chase the suggestions of Google inherent in the initial word (as a human heart- > Anatomical model etc.). This “encyclopedia of images” and its alteration creates a divergent imaginary of the initial word making it unrecognizable and fluid, concretizing landscapes by overlapping layers in Photoshop.
Non natura non morta. The Artworks belonging to the Morphing category were created through the use of images derived from the keywords’ web search (in this case “Non Natura Non Morta) and from the linked images resulting from the google suggestions related to the initial word (such as still life>- flower still life->digital photo) . This “encyclopedia of images” and its alteration creates a divergent imaginary of the initial word making it unrecognizable and fluid, concretizing landscapes by overlapping layers in Photoshop.