Showing all 3 results

  • Chimera-MaVoix-wallpaper-by-Antonio-Barbieri-Frescoes-Collezione-Visioni-interior-design
    Chimera-MaVoix-wallpaper-by-Antonio-Barbieri-Frescoes-Collezione-Visioni-back-chair
    Free

    MAIN COLORS

    Background: White

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    By applying the scientific method to the artistic medium, in particular the evolutionary theories of the Theory of Punctuated Equilibrium, elaborated by the Eldredge/Gould duo and, thanks to the massive use of scanning and modeling technologies, the artist creates hybrid constructs that exploit captured elements from the natural environment.
    Once the scans are captured, they are mixed together and shaped to create
    an element capable of evolving these forms into a structured element. Something that contains within itself the energy, the soul and the history of all the forms.

    The end result is a utopian organic-artificial structure that distorts the natural space but at the same time blends with it.

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  • Rampicante-MaVoix-wallpaper-by-Antonio-Barbieri-Interior-design-cut
    Rampicante-MaVoix-wallpaper-by-Antonio-Barbieri-living-room-crop
    Free

    MAIN COLORS

    Background: White

    Soggetti: Green, Purple

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    OBJECTS WIREFRAME

    In this work, the artist Antonio Barbieri has tried to apply the aesthetics of three-dimensional shapes in a two-dimensional and strongly rational context. The will is to obtain a decorative rhythm from natural shapes, acquired thanks to 3D scanning. The result is a graphic form linked to the concept of nature but with a strong foray into technology. This artificial nature is inextricably linked to the wall painting tradition which is the foundation of our cultural history.

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  • Rampicante-Mavoix-wallpaper-by-Antonio-Barbieri-essenziali-interior
    Rampicante-Mavoix-wallpaper-by-Antonio-Barbieri-styling-bedroom
    Free

    MAIN COLORS

    Background: White

    Subjects: Terracotta

    ***

    OBJECTS WIREFRAME

    In this work, the artist Antonio Barbieri has tried to apply the aesthetics of three-dimensional shapes in a two-dimensional and strongly rational context. The will is to obtain a decorative rhythm from natural shapes, acquired thanks to 3D scanning. The result is a graphic form linked to the concept of nature but with a strong foray into technology. This artificial nature is inextricably linked to the wall painting tradition which is the foundation of our cultural history.

    Read more