“Find Me In The Dark” is a patterned wallpaper that seamlessly blends the worlds of camouflage and engravings. This captivating wallpaper masterfully juxtaposes the bold, disruptive camouflage pattern with intricately detailed engravings, creating a visually striking and thought-provoking composition. Gjoen’s unique artistic approach invites viewers to explore the interplay between concealment and revelation.
“Find Me In The Dark” is a patterned wallpaper that seamlessly blends the worlds of camouflage and engravings. This captivating wallpaper masterfully juxtaposes the bold, disruptive camouflage pattern with intricately detailed engravings, creating a visually striking and thought-provoking composition. Gjoen’s unique artistic approach invites viewers to explore the interplay between concealment and revelation.
Magnus Gjoen creates the ultimate maximalist glamouflage “Hidden in Plain Sight’. This wallpaper is put together by pieces of paintings to give form to a new and bold artwork. Pulling together various inspirations Gjoen realizes a multilayered artwork. The more you look the more you find.
The base of the camouflage depicts the ceiling of Giovanni Battista Tiepolo’s “Nuptial Allegory” at the Ca’ Rezzonico in Venice.
To complete the work, two still lifes from Gjoen’s private collection that intertwine to create an imaginative multifaceted reality.
Magnus Gjoen creates the ultimate maximalist glamouflage “Hidden in Plain Sight’. This wallpaper is put together by pieces of paintings to give form to a new and bold artwork. Pulling together various inspirations Gjoen realizes a multilayered artwork. The more you look the more you find.
The base of the camouflage depicts the ceiling of Giovanni Battista Tiepolo’s “Nuptial Allegory” at the Ca’ Rezzonico in Venice.
To complete the work, two still lifes from Gjoen’s private collection that intertwine to create an imaginative multifaceted reality.
Inspired by a French translation of Paradise Lost published in 1863; a 12 chapter book with 21 engravings bought at auction by Magnus Gjoen. This artwork uses one of these engravings contrasted by floral camouflage.
Inspired by a French translation of Paradise Lost published in 1863; a 12 chapter book with 21 engravings bought at auction by Magnus Gjoen. This artwork uses one of these engravings contrasted by floral camouflage.
By contrasting barbed wire with the softness of a silk ribbon, Gjoen creates a juxtaposition of two intertwining elements. Love versus hate, good versus evil.
The story of beauty and pain, showing us the infinite entanglement of the two elements. The two creating a new alliance of hope as well as uncertainty.
By contrasting barbed wire with the softness of a silk ribbon, Gjoen creates a juxtaposition of two intertwining elements. Love versus hate, good versus evil.
The story of beauty and pain, showing us the infinite entanglement of the two elements. The two creating a new alliance of hope as well as uncertainty.