Ludovica Nero Mezzanotte
Free
RACCONTI
MAIN COLORS
Background: Black
***
This wall decoration is freely inspired to her as a woman, but especially to her treasures, her jewels, her style, her courage to be above her time. Thanks to this amazing woman, all Medici collections survived to this day and can prosper in today’s Uffizi galleries and Palatine galleries. If today we can go to Florence and visit one of the oldest and most important art collections in the world, intact and still in its precious context, we owe it to her.
In a society where the family and/or the husband were taking decisions on behalf of women and their upcoming destiny, Anna Maria Luisa de Medici (known as Ludovica) was undisputedly ahead of her time. She was an extraordinarily lover of art and splendor. She was tall, fair-skinned, and had two big and expressive eyes, of a deep dark black colour as her hair was. Her mouth, on the opposite, was very small, the lips fleshy, her teeth ivory white. The voice was quite masculine and her laugh noisy. She used to stay straight like a column with her back, appearing formal and grave. She had a husband to whom she got married in Düsseldorf and that passed away before her. He donated her the title of “Elettrice Palatina”, as well as syphilis, which made her sterile. Ended up single, Ludovica went back to Florence bringing with her jewelry and treasures of immense value; so many art objects, precious furnishing, silverware, porcelain and portraits. Once in the Tuscan capital city, she accomplishes a still inestimable endeavor. She took advantage of the “new right” of Law to defend her heritage and prevent its dispersion.
She obtained an Agreement with Francesco Stefano di Lorenza, which was signed the 31st October 1737 worldwidely known as ‘Family Pact’. According to the dispositions of the pact, the art rarities collected by the Medici’s were transferred to new Grand Duke, as long as those would have been kept in the city of Florence.
Get your quote
Bien Sure!
Follow the steps in the“Customize with us” form on this page or access our customization services on the page MaVoix Workshops and consult with an advisor.
We can either readjust our designs in the colours and / or dimensions of the shapes, or create a full custom design starting from a simple interview with you.
YES,
/ Made in Italy
Our print media offer eco-friendly solutions and water-based ink prints. They are certainly suitable for even the most sensitive environments by ensuring odorless prints.
YES
our samples are available at a price of 20€ + VAT each.
The cost of the sample will be deducted from the invoice if the order is subsequently confirmed.
If multiple samples are requested, we will refund only a single unit.
Dang!
Write to us at [email protected].
We will give you all the support you need.
Otherwise see the full list on the page FAQ
MAIN COLORS
Background: Black
***
This wall decoration is freely inspired to her as a woman, but especially to her treasures, her jewels, her style, her courage to be above her time. Thanks to this amazing woman, all Medici collections survived to this day and can prosper in today’s Uffizi galleries and Palatine galleries. If today we can go to Florence and visit one of the oldest and most important art collections in the world, intact and still in its precious context, we owe it to her.
Description
In a society where the family and/or the husband were taking decisions on behalf of women and their upcoming destiny, Anna Maria Luisa de Medici (known as Ludovica) was undisputedly ahead of her time. She was an extraordinarily lover of art and splendor. She was tall, fair-skinned, and had two big and expressive eyes, of a deep dark black colour as her hair was. Her mouth, on the opposite, was very small, the lips fleshy, her teeth ivory white. The voice was quite masculine and her laugh noisy. She used to stay straight like a column with her back, appearing formal and grave. She had a husband to whom she got married in Düsseldorf and that passed away before her. He donated her the title of “Elettrice Palatina”, as well as syphilis, which made her sterile. Ended up single, Ludovica went back to Florence bringing with her jewelry and treasures of immense value; so many art objects, precious furnishing, silverware, porcelain and portraits. Once in the Tuscan capital city, she accomplishes a still inestimable endeavor. She took advantage of the “new right” of Law to defend her heritage and prevent its dispersion.
She obtained an Agreement with Francesco Stefano di Lorenza, which was signed the 31st October 1737 worldwidely known as ‘Family Pact’. According to the dispositions of the pact, the art rarities collected by the Medici’s were transferred to new Grand Duke, as long as those would have been kept in the city of Florence.
