Symbolic

Patterns that incorporate signs, rituals, and allusions.
Heraldry, alchemy, the sacred and the profane emerge within the designs with both visual and conceptual value.
In MaVoix, the symbolic is intimate, never didactic.

  • Uno, Nessuno Mare Turko | Wallpaper

    Uno, Nessuno Mare Turko is the most iconic chromatic variant of MaVoix’s Uno, Nessuno graphic project. A highly recognizable pattern, where the graphic line becomes choreography and the decoration unfolds as a rhythmic sequence of gestures, eyes, and visual silences. Across the surface, hands chase, touch, and repeat each other in a constant interplay of…

  • Uno, Nessuno Fluo | Wallpaper

    A succession of gestures, signs, and interwoven forms gives rise to a perpetual composition, an imaginary landscape where fluid shapes and bold colors chase one another without ever repeating. The Uno, Nessuno wallpaper explores the boundary between reality and illusion, offering a visual experience that challenges perception and stimulates imagination. Every transformation is a discovery….

  • Fontana Righe | Wallpaper

    An ancient object — a pitcher with a Medicean profile, severe and elongated — is transformed here into an ironic, sophisticated, and ambiguous visual subject. Fontana is a wallpaper named after a contained, motionless form of water: a shape that recurs, returns, and repeats within a modular and serial logic, until it becomes rhythm. The…

  • Fontana Nero Mezzanotte | Wallpaper

    An ancient form repeats itself. A pitcher, austere and solemn, transforms into a modular visual motif, alternating detail and absence, fullness and void, volume and irony. Fontana is a wallpaper that reflects on rhythm, repetition, and variation—a piece of graphic poetry. Hand-drawn in engraved ink style, the pitcher becomes both a serial and narrative object,…

  • Fontana Arazzo Cotone | Wallpaper

    The Fontana Arazzo Cotone wallpaper design is a celebration of form, memory, and repetition as a visual language. Inspired by a finely engraved rock crystal pitcher once owned by Catherine de’ Medici, later passed to Christina of Lorraine in 1589 and now preserved among the Medici collections, this pattern reinterprets a fragment of history through…