Patterns that simulate physical textures: plaster, ceramics, scagliola, fabrics, stone.
In MaVoix, the material is never imitation but a sensitive interpretation of matter as a living surface.
The Fiori wallpaper was conceived as a tribute to the graphic elegance of nature and its translation into ornamental language.Long stems move across the surface like calligraphic lines, intertwining until they bloom into Lilium Lancifolium — also known as Tiger Lilies — rendered in a sculptural, almost heraldic form. MaVoix reinterprets the floral universe through…
Slender vertical stems traverse the space with fluid elegance, forming a rhythmic interplay that guides the gaze. At their tips bloom Lilium Lancifolium, also known as Tiger Lilies — flowers with dramatic yet poetic profiles. Their contours are bold, volumes defined, and textures rich with light and material depth. Every flower, every leaf, every line…
In the Fiori wallpaper, slender, elegant stems move sinuously across the wall, tracing rhythmic, vertical lines that feel both natural and ornamental.At the end of each branch bloom Lilium Lancifolium, also known as Tiger Lilies — flowers with a theatrical yet suspended presence, deeply evocative.Each petal opens like a gesture, each curve a fragment of…
An ancient object — a pitcher with a Medicean profile, severe and elongated — is transformed here into an ironic, sophisticated, and ambiguous visual subject. Fontana is a wallpaper named after a contained, motionless form of water: a shape that recurs, returns, and repeats within a modular and serial logic, until it becomes rhythm. The…
An ancient form repeats itself. A pitcher, austere and solemn, transforms into a modular visual motif, alternating detail and absence, fullness and void, volume and irony. Fontana is a wallpaper that reflects on rhythm, repetition, and variation—a piece of graphic poetry. Hand-drawn in engraved ink style, the pitcher becomes both a serial and narrative object,…
The Fontana Arazzo Cotone wallpaper design is a celebration of form, memory, and repetition as a visual language. Inspired by a finely engraved rock crystal pitcher once owned by Catherine de’ Medici, later passed to Christina of Lorraine in 1589 and now preserved among the Medici collections, this pattern reinterprets a fragment of history through…
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