Bodies, faces, presences: the figurative world of MaVoix is symbolic presence, visual evocation, fractured or reasserted identity.
From sculptural fragments to abstract portraits, these wallpapers reinterpret the human (or animal) figure in a conceptual, almost archaeological way, moving between the aesthetics of the sign and iconic memor
An infinite interweaving of hands and signs generates a perpetual movement, giving life to a visionary universe where fluid forms and contrasting colors challenge visual perception. This dynamic, ever-changing design unfolds in continuous metamorphosis, offering a different visual experience each time. Every point of view reveals a new interpretation, and no one can say which…
An ancient object — a pitcher with a Medicean profile, severe and elongated — is transformed here into an ironic, sophisticated, and ambiguous visual subject. Fontana is a wallpaper named after a contained, motionless form of water: a shape that recurs, returns, and repeats within a modular and serial logic, until it becomes rhythm. The…
An ancient form repeats itself. A pitcher, austere and solemn, transforms into a modular visual motif, alternating detail and absence, fullness and void, volume and irony. Fontana is a wallpaper that reflects on rhythm, repetition, and variation—a piece of graphic poetry. Hand-drawn in engraved ink style, the pitcher becomes both a serial and narrative object,…
The Fontana Arazzo Cotone wallpaper design is a celebration of form, memory, and repetition as a visual language. Inspired by a finely engraved rock crystal pitcher once owned by Catherine de’ Medici, later passed to Christina of Lorraine in 1589 and now preserved among the Medici collections, this pattern reinterprets a fragment of history through…
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